Free Download The Object Stares Back: On the Nature of Seeing, by James Elkins
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The Object Stares Back: On the Nature of Seeing, by James Elkins
Free Download The Object Stares Back: On the Nature of Seeing, by James Elkins
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Review
Eyes aren't windows, opening indifferently upon anything at all; eyes are in the world, and they want something out of it. Elkins takes off from this familiar phenomenological point, and goes on to explore some of the ways in which vision expects the visible, a world that is not just there to be seen, but that responds to our glances, "stares back." In a sense, Elkins reminds us, our eyes aren't ours. There are things we look at in spite of ourselves -- sexual things, above all -- and things we cannot bear to see, like death. There are also innumerable things we may in fact see but commonly overlook: the earth's shadow, for instance, or the anti-sun shining at the edge of night. This is a congenial and stimulating essay on seeing, gracefully written and full of curious matter. The pictures are telling too. Copyright © 1996, Boston Review. All rights reserved. -- From The Boston Review
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About the Author
James Elkins has worked as an art historian at the School of the Art Institute of Chicago.
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Product details
Series: Harvest Book
Paperback: 272 pages
Publisher: Mariner Books; First Edition Thus edition (July 15, 1997)
Language: English
ISBN-10: 0156004976
ISBN-13: 978-0156004978
Product Dimensions:
5.3 x 0.7 x 7.9 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.4 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#654,908 in Books (See Top 100 in Books)
James Elkins gives a lot of interesting speculation on the experience of seeing, but unfortunately, he fails to give much linkage of his subject to the experience of making and seeing art, which is curious in that the author is an art historian. He attaches a lot of importance to the idea that conventional seeing is a form of "blindness," that is, that conventional day-to-day seeing is extremely limited, but, again, he seems to be uninterested in the ways that artists remove these limits, both for themselves and their audience. So much of the writing is about how the author himself sees and does not see, that eventually I became bored, as one usually does listening to one person talk on and on about his own limited experience of a subject.
LOVE this book. Have read it two times and am teaching out of it this semester.
Delivery was fast and efficient and the product came to me in great condition, also just in time for my trip, which was the reason for purchasing the book in the first place. I had already been reading this book as a loan from the library, so I knew what to expect in terms of the content, but I was impressed by the quick delivery and good condition of the book.
James Elkins is a masterful writer. His work is very philosophical, though he is an art historian. I heartily recommend all of his books, but The Object Stares Back is my favorite. The books makes me sad, angry, creeped out, proud, excited... Elkins is masterful, clear, and insightful. He forces you to reconsider your ideas about what it means to see and to be seen. Great book.
It was in great shape and delivered on time. It's an enjoyable read too. I can't wait to find out what other works James Elkins has.
I like reading about art from craft to philosophy, but this book was a big disappointment. Too many words for too little substance, fuzzy thinking. He could have made his point in one chapter. If I weren't so lazy, I'd immediately put it back up for sale. Wasted space on my bookshelf, a example of an interesting notion, the kind you might wake up with, that never gets developed. Great title but the book -- stillborn.
Please do not buy if you are scientifically inclined. If you really want it, I can send you mine. I have to look and find it though, because it occupies a lot of space.Why am I saying this?Well, I have absolutely no problems with art critics, and no problems with scientists. But when I see an artistic/critic scientist wannabe (and vice versa), it makes me cringe. It is not that the combination is not possible; it is that some people try to project something that they are not, and honestly, it takes quite a bit of time to become competent at (either, let alone both). The point is that there is a total lack of rigor when providing scientific explanations. The author is the type of people that want to make quantum mechanics something esoteric and mysterious. I had to put the book down a quarter of the way because I thought I could spend my time better doing something else. I am really interested in the topics of this book, but unfortunately he is too superficial and pretentious. My shipping offer stands as long as I can find the book.
By paying careful attention to language, Elkins almost transcends the linear logic of prose to get at the complex, ambiguous nature of seeing. Sometimes he writes in a free, stream-of-consciousness way, and his musings can become oddly tangential, but he's always honest, humble, and sincere, and often he pierces through the obvious to capture the subtle ineffability of his subject.Some of the most stimulating parts of the book for me were the discussion of the power of objects; the idea of the visual field as containing complex topographies that attract and repel a viewer's attention; the inextricable connection between seeing and blindness; and, the centrality of the body and the face in human vision.Although the process of seeing is a mystery whose complexity will remain forever unfathomable, Elkins helps readers to enter into the mystery and to make us more aware of the vast beauty, subtlety, and complexity that we often fail to see in the world around us.
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