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The Cutting Season: A Novel, by Attica Locke
Ebook Free The Cutting Season: A Novel, by Attica Locke
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Review
“One of the most engaging and gifted new voices in the genre. . . . The Cutting Season does more than exhume a body—it rattles the bones of slavery, race, class, and power to examine a crime that reverberates from more than a century ago.” (Atlanta Journal-Constitution)“The impressively astute Attica Locke writes . . . in much the same way that Mr. Lehane [does]. . . . Each is willing to use the murder mystery as a framework for much more ambitious, atmospheric fiction.” (New York Times)“Compelling. . . . A mystery that expands the whole idea of the mystery, reaching from the present deeply into the past. . . . Great writing, the kind that gives you goose bumps.” (Los Angeles Times)“Although The Cutting Season succeeds as a thriller, above all it is a well-crafted warning about the damage wrought—generational, social, romantic—when the past is distorted or denied.” (Financial Times)“A thoughtful, well-written and absorbing read with a surprising ending.” (Minneapolis Star Tribune)“Dripping with southern Gothic atmosphere. . . . Equal parts murder mystery and family drama, the novel also draws readers in through its considerations of African-American history and life in post-Katrina Louisiana.” (USA Today)“I was first struck by Attica Locke’s prose, then by the ingenuity of her narrative and finally and most deeply by the depth of her humanity. She writes with equal amounts grace and passion. . . . I’d probably read the phone book if her name was on the spine.” (Dennis Lehane)“The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience.” (Dolen Perkins-Valdez, New York Times bestselling author of Wench)“The Cutting Season is a novel about the shifting definitions of family, the persistent pull of history, the sterling promise of home, and the stunning power of love. It pulled me in and held me close to the very last page.” (Tayari Jones, author of Silver Sparrow)
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From the Back Cover
From Attica Locke, a writer and producer of FOX’s Empire:“The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience.”—Dolen Perkins-Valdez, New York Times bestselling author of WenchAfter her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first—a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana’s Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar® Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.
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Product details
Paperback: 384 pages
Publisher: Harper Perennial; Reprint edition (September 17, 2013)
Language: English
ISBN-10: 0061802069
ISBN-13: 978-0061802065
Product Dimensions:
5.3 x 0.9 x 8 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
355 customer reviews
Amazon Best Sellers Rank:
#502,952 in Books (See Top 100 in Books)
I should have cut my losses and not finished this book. While this is the type of story that I would typically enjoy, I did not love it. I did not really even like it. It is a murder mystery set in 2009 Louisiana and it also involves a mystery that occurred shortly after the civil war. Our heroine sets out to solve both of them. It sounds good, but it is not.Caren dropped out of law school and has been adrift. She returns to Belle Vie, the sugar plantation where she was raised and where her mother worked as a cook. Belle Vie is a tourist attraction and a prime venue for weddings and other events. She runs the business for the wealthy Clancy family. She was a playmate of the younger Clancy boy but his ambitious older brother is the one in charge. Caren lives there with staff who have worked there since she was a kid. She now has a 9 year old daughter of her own, from a long-term relationship with one of her law school peers. Outside the plantation proper, the Groveland Corporation harvests sugar cane. One of the Mexican workers is found dead on the property. There are hints of a cover-up by Groveland or by Clancy. It also appears that there is some link between this murder and the disappearance of Caren’s great-great-great grandfather Jason, a free slave who continued to work on the plantation after the civil war. One of the employees at the plantation is writing about Jason’s story for a class at the local community college. Some tangled lies and deceptions later, Caren and her ex-boyfriend are trying to solve the murder as their young daughter appears to be involved. Their lives are in danger and Caren does not know who to trust. Plus, Caren had previously walked away from her life at the plantation and from her mother. She did not return for her mother’s funeral. And then there is the newspaper reporter and also a graduate student writing his dissertation about Belle Vie. Are you following all of this?I was expecting a different type of novel. I thought that the story would shift between the present and the civil war era plantation. The second section of the novel is even titled “The Olden Days of Belle Vie.†However, the story takes place all in the present. I think it would have been a richer reading experience if both eras were represented. There were a lot of secondary characters, so many that I had some trouble keeping track. Some of them served no purpose, such as the dissertation writing graduate student. I did not really care for Caren. I did not understand her and it was hard to get a handle on her motives. Also, they murder mystery was not too mysterious. Even the writing was not that great. It felt like the author was trying to pack in a lot of information and added unnecessary characters as a way to move the story forward. I think this book would have benefited from a clearer focus and some strong editing.
I could never connect with the characters, the author was too busy describing their jeans, t-shirt and shoes to bring them to life. I knew more about what they were wearing than who they were.The plot could have been interesting if developed. It just wasn't. The why of the murders should have been the story not a blip at the ending.
Attica Locke’s The Cutting Season is a gripping novel. I personally loved it because it was everything I love in a mystery—a Southern setting (a plantation,) a diversity of characters (the main character is an African-American woman, plus there are plenty of whites, “villains†and otherwise.) The premise is that a murdered Mexican migrant woman is found on the grounds of the museum/plantation house that protagonist Caren Gray manages. The dead woman had worked the sugar cane fields just across the fence from the plantation grounds. Intrigue piles upon intrigue until all is solved. Locke, whose previous novel to this one was filled with twists and turns, tells a fairly non-convoluted story this time. There are surprises along the way, but mostly people turn out to be who they seem to be and the climax doesn’t hit like a ton of bricks, but it does satisfy. About midway through, I had an idea Caren would find out something potentially earth-shattering for her, and she does. But her dealing with it was not how I expected, so that was interesting. And, I must say, I’m glad Locke dealt with it in the way she did. Attica Locke, who writes for the TV series Empire, is an excellent novelist and quite prolific. There are two other novels in her canon. She must be tired all the time, but I hope she continues churnin’ ‘em out.
This book is very well written. The ending was so surprising I never had the slightest clue. While the book is largely about a young women who is confused and unable to come to grips with with her own family history, it is also about love, loss and the courage to carry on. Caren Gray, Helen’s girl, is forced to move back to her childhood home-and the life she thought she hated. She tries to run from her past and to make a life as a single mother only she finds herself right back in the middle of it. Forced to drop out of law school she has to face the bitter loss of her mother, and figure out how to raise her daughter alone. In a strange twist she finds her fate and her past are intricately woven together. Unable to outrun it she has to face it. Some history, lots of intrigue, well defined character make this a very good book.
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